Boris Godunov (opera)

Boris Godunov
Opera by Modest Mussorgsky
The death of Boris in the Faceted Palace from the premiere production
Native title	Russian: Борис Годунов
Librettist	Mussorgsky
Language	Russian
Based on	Boris Godunov by Alexander Pushkin and History of the Russian State by Nikolay Karamzin
Premiere	27 January 1874 (1874-01-27) Mariinsky Theatre, Saint Petersburg

Boris Godunov (Russian: Борис Годунов, romanized: Borís Godunóv listen^ⓘ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece.^[1][2] Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama Boris Godunov by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's History of the Russian State.

Among major operas, Boris Godunov shares with Giuseppe Verdi's Don Carlos (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material.^[3] The composer created two versions—the Original Version of 1869, which was rejected for production by the Imperial Theatres, and the Revised Version of 1872, which received its first performance in 1874 in Saint Petersburg.

Boris Godunov has often been subjected to cuts, recomposition, re-orchestration, transposition of scenes, or conflation of the original and revised versions.

Several composers, chief among them Nikolay Rimsky-Korsakov and Dmitri Shostakovich, have created new editions of the opera to "correct" perceived technical weaknesses in the composer's original scores. Although these versions held the stage for decades, Mussorgsky's individual harmonic style and orchestration are now valued for their originality, and revisions by other hands have fallen out of fashion.

In the 1980s, Boris Godunov was closer to the status of a repertory piece than any other Russian opera, even Tchaikovsky's Eugene Onegin,^[4] and is the most recorded Russian opera.^[5]